TR
11111

COURSE INTRODUCTION AND APPLICATION INFORMATION

mt.fadf.ieu.edu.tr

Course Name
Code
Semester
Theory
(hour/week)
Application/Lab
(hour/week)
Local Credits
ECTS
Spring
Prerequisites
None
Course Language
Course Type
Required
Course Level
-
Mode of Delivery -
Teaching Methods and Techniques of the Course Critique
Jury
Application: Experiment / Laboratory / Workshop
Course Coordinator
Course Lecturer(s)
Assistant(s) -
Course Objectives
Learning Outcomes The students who succeeded in this course;
  • Will be able to demonstrate an awareness of current issues and trends related to fashion design industry
  • Will be able to utilise fashion design to raise awareness of current ethical issues
  • Will be able to creatively develop a concept into a comprehensive body of research exploring all aspects of the fashion design process including silhouette, cut, fabric, texture etc.
  • Will be able to utilise computer aided design as a tool for professional development and presentation of work
  • Will be able to demonstrate a professional level of presentation through the development of sketchbooks, technical drawings, presentation boards, illustration, and photography
Course Description

 



Course Category

 Core Courses
Major Area Courses
X
Supportive Courses
Media and Managment Skills Courses
Transferable Skill Courses

 

WEEKLY SUBJECTS AND RELATED PREPARATION STUDIES

Week Subjects Required Materials
1 Introduction to project / 3d Structural development Abling, B., “Fashion Sketchbook”, Fairchild Publications, New York (2007) Ireland, J. P., “Encyclopaedia of fashion details”, Prentice Hall, (1987)Jenkyn Jones, S., “Fashion Design”, Laurence King Publishing Ltd, London, (2002) Reigelman, N., “9 Heads : a guide to fashion drawing”, Prentice Hall, (2001)Tain, L., “Portfolio presentation for fashion designers”, Fairchild Publications, New York (2003)
2 Experimental Design Development in Paper Folding Abling, B., “Fashion Sketchbook”, Fairchild Publications, New York (2007) Ireland, J. P., “Encyclopaedia of fashion details”, Prentice Hall, (1987)Jenkyn Jones, S., “Fashion Design”, Laurence King Publishing Ltd, London, (2002)/ Aldrich, W. (2013) Fabrics and Pattern Cutting.
3 Experimental Skirt Draping Abling, B., “Fashion Sketchbook”, Fairchild Publications, New York (2007) Ireland, J. P., “Encyclopaedia of fashion details”, Prentice Hall, (1987)Jenkyn Jones, S., “Fashion Design”, Laurence King Publishing Ltd, London, (2002)/ Aldrich, W. (2013) Fabrics and Pattern Cutting.
4 Introduction to project / Concept Board Design Abling, B., “Fashion Sketchbook”, Fairchild Publications, New York (2007) Ireland, J. P., “Encyclopaedia of fashion details”, Prentice Hall, (1987)Jenkyn Jones, S., “Fashion Design”, Laurence King Publishing Ltd, London, (2002)/ Aldrich, W. (2013) Fabrics and Pattern Cutting.
5 Drawing for Surface Pattern Design / Placement Prints for T-shirt Design Okonkwo, Uche. (2007) Luxury Fashion Branding: Trends, Tactics, Techniques, New York, Palgrave Macmillan/ Hameide, K. (2011) Fashion Branding Unraveled, Fairchild/ Turngate, Mark (2005) Fashion Bramds: Brandings Style from Armani to Zara, UK, Kogan Page
6 Print Design on Adobe Illustrator Okonkwo, Uche. (2007) Luxury Fashion Branding: Trends, Tactics, Techniques, New York, Palgrave Macmillan/ Hameide, K. (2011) Fashion Branding Unraveled, Fairchild/ Turngate, Mark (2005) Fashion Bramds: Brandings Style from Armani to Zara, UK, Kogan Page/ Ireland, J. P., “Encyclopaedia of fashion details”, Prentice Hall, (1987) / Hameide, K., “Fashion Branding Unraveled”, Fairchild (2011) / Jenkyn Jones, S., “Fashion Design”, Laurence King Publishing Ltd, London, (2002)
7 Accessory Design Flynn, J. Z., Foster, I. M., Research Methods for the Fashion Industry Fairchild Pubns, (2009) / Collezioni Trends, Logos Publishing
8 Technical Drawing/ Product Pattern Making Burke, S., “Fashion Computing: Design Techniques And CAD”, Burke Publishing (2005) / Dawber, M. “New Fashion Illustration”. Page One Publishing Private Limited (2005) / Lazear, S., “Adobe Photoshop for Fashion Design”, Pearson Education, Inc., New Jersey(2010) / Tallon, K., “Digital Fashion Illustration with Photoshop and Illustrator”, Batsford (2008)/
9 Product Sewing & Finishing
10 Product Finishing/ Submission Burke, S., “Fashion Computing: Design Techniques And CAD”, Burke Publishing (2005) / Dawber, M. “New Fashion Illustration”. Page One Publishing Private Limited (2005) / Lazear, S., “Adobe Photoshop for Fashion Design”, Pearson Education, Inc., New Jersey(2010) / Tallon, K., “Digital Fashion Illustration with Photoshop and Illustrator”, Batsford (2008)/
11 Introduction / Concept / Contemporary Fashion Review According to Concept
12 Concept Development & Fabric Manipulation Flynn, J. Z., Foster, I. M., Research Methods for the Fashion Industry Fairchild Pubns, (2009) / Ireland, J. P., “Encyclopaedia of fashion details”, Prentice Hall, (1987) / Hameide, K., “Fashion Branding Unraveled”, Fairchild (2011) / Jenkyn Jones, S., “Fashion Design”, Laurence King Publishing Ltd, London, (2002)
13 Design Development / Technical Drawing Aldrich, W. (2013) Fabrics and Pattern Cutting.
14 Sample Toile Production Aldrich, W. (2013) Fabrics and Pattern Cutting.
15 Sample Toile Review Tain, L., “Portfolio presentation for fashion designers”, Fairchild Publications, New York (2003)
16 Final Garment
Course Notes/Textbooks Books listed above, PowerPoint presentations
Suggested Readings/Materials

 

EVALUATION SYSTEM

Semester Activities Number Weigthing
Participation
Laboratory / Application
Field Work
Quizzes / Studio Critiques
Portfolio
Homework / Assignments
Presentation / Jury
Project
1
50
Seminar / Workshop
Oral Exam
Midterm
1
20
Final Exam
1
30
Total

Weighting of Semester Activities on the Final Grade
2
70
Weighting of End-of-Semester Activities on the Final Grade
1
30
Total

ECTS / WORKLOAD TABLE

Semester Activities Number Duration (Hours) Workload
Course Hours
(Including exam week: 16 x total hours)
16
2
32
Laboratory / Application Hours
(Including exam week: 16 x total hours)
16
6
Study Hours Out of Class
30
3
Field Work
Quizzes / Studio Critiques
Portfolio
Homework / Assignments
Presentation / Jury
1
Project
1
30
Seminar / Workshop
Oral Exam
Midterms
2
17
Final Exams
1
20
    Total
302

 

COURSE LEARNING OUTCOMES AND PROGRAM QUALIFICATIONS RELATIONSHIP

#
 Program Competencies/Outcomes
* Contribution Level
1
2
3
4
5
1

To be able to independently develop and design a collection.

 X
2

To be able to apply industrial requirements, knowledge of material & usage and know-how knowledge in the creation of high quality fashion products.

 X
3

To have  a research oriented awareness of design, and being able to do design research individually.

 X
4

To be able to use a foreign language at a good and advanced level.

 X
5

To develop entrepreneurship- and managerial skills for a future professional practice.

 X
6

To be able to follow, observe and analyze the news issues, changes and trends in contemporary design and art in such a way that they can be integrated into design practice.

 X
7

To have an ability to use digital information and communication technologies at a level that is adequate to the discipline of fashion design.

 X
8

To recognize, analyze and integrate within their practice the particular local and regional needs and developments of their profession.

 X
9

To develop an ongoing analytical and professional approach to academic and design research.

 X
10

To be able to recognize the need and importance of a personal lifelong learning attitude towards their chosen area of interest.

 X
11

To be able to understand, interpret and apply theoretical  knowledge in fashion design.

 X

*1 Lowest, 2 Low, 3 Average, 4 High, 5 Highest

 

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